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The Best Compressors & Gates Effects Processors

Looking for the best Compressors & Gates Effects Processors?

Discover now our comparison of the best Compressors & Gates Effects Processors. It is never easy to choose from the wide range of offers. On the market, you will find an incalculable number of models, all at different prices. And as you will discover, the best Compressors & Gates Effects Processors are not always the ones at the highest prices! Many criteria are used, and they make the richness and relevance of this comparison.
To help you make the best choice among the hundreds of products available, we have decided to offer you a comparison of the Compressors & Gates Effects Processors in order to find the best quality/price ratio. In this ranking, you will find products listed according to their price, but also their characteristics and the opinions of other customers. Also discover our comparisons by categories. You won’t have to choose your products at random anymore.

SaleNo. 1
dbx 266xs Professional Audio Compressor/Gate Dynamic Processor Silver 1.75 x 5.75 x 19.00 inches
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New Gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/Gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and Gate threshold allow quick, accurate setup
  • Inputs: ¼” TRS and female XLR (pin 2 Hot)
  • Outputs: ¼” TRS and female XLR (pin 2 Hot)
SaleNo. 3
dbx 560A Compact, Professional Compressor/Limiter
  • Over Easy or classic hard knee compression with dB's ultra-musical program dependent attack and release times
  • Compression ratio variable from 1:1 through infinity: 1 to -1:1
  • Precise RMS gain reduction and input/output meter displays with calibration control for different operating levels
  • True RMS level detection
  • Exclusive Infinity+ compression using negative ratios
No. 4
ART SCL2 Dual/Stereo Compressor/Limiter Expander/Gate, Black (SCL-2)
  • Dual Channel or Linked Stereo Operation
  • 1/4-Inch TRS And XLR Balanced Inputs
  • Stereo Mode Balance Control
  • Selectable Auto/ Manual Attack/Release
  • Precise Led Level Meters
No. 6
L.R. Baggs Align Session Acoustic Guitar Effects Pedal
  • Analog Saturation enhances warmth and harmonic content
  • Compression / EQ smoothes out common problem frequencies
  • Adjustable gain for both passive and active pickups
  • Engage footswitch for affected signal or true bypass
  • Volume level control
No. 7
Warm Audio WA76 Single Channel Discrete Compressor, Black
  • Single channel discrete compressor
  • Custom CineMag USA Transformers
  • True to the Classic ‘76 compressor in design and performance
  • Fully discrete signal path
  • Supports the famous “all buttons in” ratio setting
No. 8
Behringer Compressor (MDX2600)
  • Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
  • Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks
  • IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
  • Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
  • IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
SaleNo. 9
Lindell Audio 7X-500 500-Series F.E.T. Compressor
  • FET Style Compressor
  • Variable Mix Control For Precise Parallel Compression
  • 3 Step Switched Attack Times
  • 3 Step Switched Release Times
  • 3 Step Switched High Pass Sidechain Filter. Off, 100Hz, 300Hz
No. 10
dbx ZonePRO 640m 6x4 Digital Zone Processor with Link Bus
  • The ZonePRO 640m offers fixed I/O, pre-configured architecture, configurable insert processing and optional duplication of audio channels to another ZonePRO device via a link bus
  • 6 total inputs: (4) switchable Euroblock line/mic, (2) unbalanced, mono-summed RCA pairs
  • 4 balanced Euroblock outputs
  • Max Input/Output: +20dBu Euroblock, +12dBu RCA

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